Bowie at the Quasar Cafe

Boxing Day 1968. David Bowie is bought a coffee by Vivian Burt at The Quasar Cafe in Redruth .

When I was about 14 or 15 and still attending school at Redruth, I would abscond during dinner breaks to go and have lunch with a few friends at a cool little hangout called the QUASAR CAFE in the town a couple of times a week. We knew that teachers and prefects would patrol the town, looking for kids who should be back on school premises so we had to be vigilant.

The cafe was run by a couple of friendly hippy types and one could order a plate of chicken pie, chips and peas with a couple of cups of tea for a few pence. Just as importantly, we could smoke and listen to some decent music on a juke box which was the main attraction.

It was one of the few places you could hear music that wasn’t in the charts or on the radio. I remember hearing things like Little Red Rooster and Paint it Black by The Stones which was a revelation to me back then. At that time I was a fully fledged Bowie fan, having graduated from junior glam rock such as Mud and the Glitter Band (who I actually saw play live at The Regal in Redruth in 1974). I was having the best time getting up to speed with Bowie’s back catalogue after someone introduced me to The Rise and Fall of Ziggy Stardust album which had been released a few years earlier.

Naturally, I was also listening to Lou Reed and The Velvet Underground and Iggy Pop and The Stooges but could hardly call myself well educated in rock and pop music of the day. I guess it was around the time that Bowie’s Station To Station was released which was his first album I bought on it’s release. I remember waiting all day at school for the ‘home time’ bell so I could race to the record store and collect my pristine 12” vinyl which I had pre-ordered.

Anyway, back to the QUASAR.

 
 

You can read Vivian’s first hand account of events here.

Another article by Lee Trewhela from the Cornwall Live website here.

Article courtesy of The Packet newspaper.

 

Live and Let Die

Sir Roger Moore stopped his car and asked me for directions once…

 

Stalking Iggy

My Mate Jimmy. I’ve been thinking about Iggy Pop all weekend. Probably because his music has been on my turntable pretty much non-stop for 72 hours. I am regretting not getting tickets to see him play at The Albert Hall this year. I knew I would. Damnit. Can’t do much about that now and I may never get to see him play live again. BUT…at least I can comfort myself with the fact that I met (stalked) him once.

So…pull up a chair, pour yourself a drink and listen to a Sunday Night Stingray Tale. I can’t promise there will be sting in it but I’ll do my best…

OK…Waaaay back in the seventies, June 28th 1978 to be ultra precise. I was in London with tickets to see David Bowie on his Low/Heroes tour and saw him for two nights out of three at Earl’s Court.

The afternoon before the first concert, I was with a mate in the basement of Chappells Music in Soho playing with Gibson Les Pauls  and Fender Stratocasters that we couldn’t possibly afford. I was dimly aware of some manic Jerry Lee Lewis style piano being played in the background but was more interested in the Big Muff* I was plugged into at that point. After a while I made my way to the counter to purchase a plectrum to ease my guilty conscience, having spent an hour playing instruments I had no intention or means of buying.

The guy behind the till seemed to develop a twitch as we approached the counter and he started winking and nodding in the direction from which Great Balls of Fire was now emanating.  I turned and looked across to see a raised plinth with a baby grand piano at which was seated a small black leather clad figure hammering out said tune. “Fuck me it’s Iggy Pop” came out of nowhere, either in my head or out loud , I’m not sure which. Anyway, it was him.

At this point, Iggy (for it was him) suddenly decided to leg it up the stairs and out eventually on to Oxford Street hotly pursued by two teenagers (for they were us). A comical 5 minutes or so ensued with Iggy stopping and looking back in our direction  every 30 seconds as we instantly stopped and pretended to window shop at whatever store we were passing. Suddenly he was gone, disappeared up a side street hadn’t he, the little sneaker. We turned the corner where we had last saw him but he was nowhere to be seen godammit.

Then I noticed a small bookshop 50 yards up the street and dragged my friend towards it whilst shouting “I bet he’s gone to ground in there!”….

We entered the tiny bookshop and there was no one to be seen apart from a startled looking woman behind the till. In the corner was a spiral staircase leading down to the basement which I wasted no time making my way towards and descending. And….yes….there he was, pretending to look at some book of no significance.

At first he looked terrified, I think he thought we were after him to beat him up and I pretty much towered over him being about 6’3” to his wiry 5.5 ft frame. He then clocked the Bowie badges we were sporting and instantly relaxed saying “oh….yer heeear to see David!” in his amazingly laid back American drawl. We then talked about loads of stuff which was amazing and I’m sworn to secrecy but we parted company as mates for life (I thought so anyway). He even drew a little cartoon of me on the London A-Z we were carrying and signed it. If mobile phones had been invented we would have swapped contact details and I could have hung out with him and Dave at the Dorchester after the gig but we were too busy to bother with any of that so we just shook hands and bid farewell. He did stop and turn before he ascended up to the street (not Down On The Street) with the parting line: “Hey, do you guys know where I can get a pair of wire cutters?”.  We didn’t unfortunately.  I’ve been wondering about that for the last 38 years….

 

Mick Ronson Shoe Story

One cold day in November 1979 a girlfriend and I hitched up from the dark depths of Cornwall to see Ian Hunter and Mick Ronson play the Hammersmith Odeon (now Apollo). I finally got to see my all-time favourite guitarist let rip with his iconic Les Paul. What a fabulous gig it was too. Over the years I've regaled friends with recounting the moment when someone in the audience (presumably female) threw a black stiletto-heeled shoe on to the stage. Memory fails when it comes to which song Mick was playing (possibly Slaughter On 10th Avenue) but he just picked it up and started playing his guitar with it. Over the years I've even talked about it with a couple of friends who were at the same gig but don't remember it. I started to believe that I had imagined the whole thing until I came across this photo in Uncut magazine. There it was...the defining moment and proof I hadn't made the whole thing up. Thanks to Frank Griffin for the photo!

 

Prague

A page from my sketchbook after my first visit to Prague

Black Devil Byrd Headquarters in Prague

The first time I went to Prague with The Black Devil Byrds and Paul-Ronney Angel from The Urban Voodoo Machine.

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Oh So OSLO

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Bowie's 'You Cannot Be Serious Moonlight Tour'

The moon was still in his pyjamas when we arrived…

All photos © Denis O’Regan

"But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?"